With the titular blonde wig, Kennedy was a confident and cheeky cubit, delivered by her strong powerful poses and impressive belts. She was skillfully supported by the remarkable Griffin and Aria Andriopoulos (as Paulette), both of whom delivered strong, grounded solo vocals with additional vibrato. Andriopoulos` performance of «Ireland» was sincere and simply tearful, carried by the actress` pure voice, soft, foggy lighting and minimal choreography. Union Theatre, Level 2, Arts and Culture Building (NB) The theatre has moved to a new location) *Students, seniors, retirees and health cards are eligible for a reduced discount. A valid ID is required for all. While Legally Blonde primarily offered a motivating spirit and a journey of self-realization, it offered a series of truly memorable comedic moments. In a loose rugby sweater, a backward-facing cap and makeup that gives the illusion of thatch, Ella Lithgrow`s interpretation of a hard-hitting frat bro during her rap in «What You Want» was hilarious. Paulette`s dog, Rufus, was a stuffed dog with wild stage life, praised in spectacular arcs to clearly signal Rufus` exit from each scene. Eventually, Campbell perfectly captured Jordan Kyle`s (Paulette`s love) relaxed and confident gait, making clever sexual innuendos by maneuvering his way through hilarious and suggestive prop placements. Legal Blonde is a New Age musical that premiered on Broadway in 2007 and still tours extensively around the world. To pay homage to the modern nature and themes of the musical, our production will use high-quality LED screens, which are the latest innovation in scenography. Through the use of LED screens and professional stage software, our performance is highlighted by digital animations, with changing and changing graphics to adapt to the changing world of Elle and its changing moods. The crew had some problems with the technical microphone during the show, but love saw through them and the casting continued professionally as if nothing had happened.
The voice of the actors was well balanced with the live band, and Jack Seskis on drums skillfully followed the fast musical numbers. Miffy Braniff Condie`s violin was beautifully integrated during «Ireland» and added to the overall magic of the scene. This year`s production in Melbourne Girls Grammar will be unlike any academic performance you`ve seen before. Based on the highly acclaimed film Legally Blonde, The Musical follows the story of Elle Woods who challenges stereotypes and the status quo to pursue her dreams. This production is in line with our school theme of sisterhood, which is celebrated throughout the year from ELC to Grade 12 at Melbourne Girls Grammar. Legal Blonde revolves around Delta Nu president and fashion merchandising major Elle Woods, who comes to Harvard Law School in search of her Warner University friend (Browning Mummery). What, how difficult is it? She faces both a new rival from Warner`s heart, Viviane (Eliza Griffin), and the overwhelming workload of law school. In an effort to achieve better academic results and, more importantly, to be taken seriously, she manages to secure a competitive internship and represent fitness queen Brooke Whyndham (Aleisha Corrigan) in a murder trial. And icing on the cake, she befriends TA Emmet (Michael Tassone) and forgets everything about Warner. The twelve-piece ensemble helped achieve the high energy of Legally Blonde, bolstered by their confident stage presence and striking role changes.
Pru Anderson easily transformed himself from a store manager and perfume connoisseur to Elle`s golf-obsessed father into a sister daughter, showing off the versatility of the whole. While scenes like Elle`s personal essay at Harvard were scaled back from the original Broadway production — presumably due to the difficult elements of jubilation — the second act, «Whipped Into Shape,» exceeded my expectations. The skipping rope section was performed as a complete original routine, with Corrigan and the ensemble perfectly synchronizing the difficult circle-circle-under-sequence circle while wearing bright orange prison scrubs. The off-screen performers supported the vocals during this scene, a wise decision considering the demanding choreography. Historically, school productions have used projected images for sets that often appear faded, washed out, and can cause large shadows. These LED screens are commonly used in large concerts and arena tours and have recently been used in major professional musicals. The recent Australian tours of Hairspray and King Kong have used similar screens to bring their shows to life. Our talented and diverse cast consists of approximately 50 students in grades 9-12, with leading roles at all levels. The cast is a very cooperative group of girls who enjoyed the opportunity to learn new skills and challenge themselves in a supportive environment. Thanks to the exceptional leadership of our Grade 12 dance captains and theatre captains, the production process of this musical was heavily student-led, with all performers supporting each other and demonstrating their sisterhood motto. The support of these professional musicians who complement our student orchestra was made possible through the generosity of the Doris, Edna and Kathleen Curwen-Walker Memorial Fund.
She Woods seems to have it all. Her life is turned upside down when her Warner boyfriend leaves her so he can study law at Harvard. Determined to bring him back, she ingeniously made her way into the famous law school. There, she fights with her peers, professors and her ex. However, with the help of new friends, she quickly realizes her potential and sets out to prove herself to the world. Tickets cost $20 at www.trybooking.com/923160 A fabulously funny and award-winning musical based on the popular film Legally Blonde The Musical, follows Elle Woods` transformation as she battles stereotypes and scandals in search of her dreams. Full of action and exploding with unforgettable songs and dynamic dances, this musical is so much fun it should be illegal! To refine and refine their choreography, the students held independent rehearsals, including sessions at the Artemis Centre, to improve their physical condition, particularly for a delicate skipping rope routine during the number entitled «Whipped into Shape». What better way to begin the legacy of the new Union House Theatre than to bring back a classic from the 2000s? The Newman Theatre Association has entered the brand new stage with the iconic Tony-nominated Broadway musical Legally Blonde, based on the 2001 film starring Reese Witherspoon. Directed by Jessica Elfick and Saul Kavenagh, the cast brought pink power Elle Woods (Sophie Kennedy) to life.
And oh my God, you guys – they delivered a total banger, the audience went to applaud and roar with laughter. The stage space was used effectively throughout the show, alternating between the area at the bottom of the stage and opening the back curtains for scenes taking place in larger spaces such as the prison and court. A backdrop of changing colors was used to further immerse the audience in each location, with the prison showing orange overalls and the courtyard a navy blue. Overall, the set was minimal but versatile, with two wall screens standing on either side of the stage shot to show different sets for each scene. A long black walkway was located along the central stage and was skillfully used to sit the judge`s office during the trial as well as to elevate the ensemble members into crowded stages with more than 20 artists.